Though I sadly said goodbye to A this morning, I've happily begun my solo-travels with a trip to Marseille. My interest in this city originally came from a comment I heard during the rioting in 2005: because it is on the ocean, there is no room for the marginalization that creates "les cités" that can be found outside of Lyon or Paris. Thus, it is a far more integrated community than most other big cities in France. I'm discovering that myself, with hostel-managers who come from any country BUT France! This is great for me, since I seem to feel more comfortable speaking French with these non-native speakers.
But, before A left, we spent two glorious days in Paris, devoting the first to wandering the streets and the second to museums. Activites included: (1) splitting a beer on the steps of Sacre Coeur; (2) finding an urban vineyard in Montmartre, from which 850 bottles of wine are captured each year, and auctioned off for charity; (3) appreciating Winged Victory but skipping Mona Lisa; (4) using newly acquired GRE vocabulary at every opportunity (Nonplussed does not mean what we have taken it to mean our entire lives, or, in a sentence that sounds redundant but is, in fact, not: "The Mona Lisa leaves some people feeling nonplussed, and strangely underwhelmed."); (5) finding a cool street artist from Chile who sold us gorgeous earrings; (6) enjoying chocolate fondue under the watchful eye of a serenading waiter; (7) trying not to break, stain, touch or breathe on any of the amazingly pricey items in Louis Vuitton; and (8) marveling at the challenging and wonderful exhibition elles@centrepompidou.
Now, off to appreciate some bouillabaisse and spend some time imitating Julia Child, at least in my head.
At Wesleyan's 2009 commencement, Anna Quindlen reminded graduates of Samuel Beckett's bold proclamation, "To find a form that accommodates the mess, that is the task of the artist now." Instead of tidying the mess, or assuring graduates that things were not as messy as they appeared in the chaos of that May, she simply said,
We leave you a mess. And I won’t apologize for that. Instead I want you to see it for what it is: an engraved invitation to transformation. Certainty is dead. Long live the flying leap.
A long-time fan of Anna Quindlen's, I especially loved that last declarative: long live the flying leap.
And so, here goes my flying leap. As I travel to Japan, back home to run my first math camp for middle-school girls, and then to France, I will be flying in more ways than one.
We leave you a mess. And I won’t apologize for that. Instead I want you to see it for what it is: an engraved invitation to transformation. Certainty is dead. Long live the flying leap.
A long-time fan of Anna Quindlen's, I especially loved that last declarative: long live the flying leap.
And so, here goes my flying leap. As I travel to Japan, back home to run my first math camp for middle-school girls, and then to France, I will be flying in more ways than one.
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