We left Tokyo yesterday morning, and headed for Kyoto. We made it to our new hostel, Ikoi no Ie, in the late afternoon, dumped our stuff and headed directly to Gion. This neighborhood is the central location for the book that C is currently reading (and one that I've read before), Memoirs of a Geisha, by Arthur Golden. Of course, geisha no longer trip down the streets of this district, though we did catch sight of about a dozen kneeling beside tables on veranda over the river, serving tea to suit-clad men.
If Tokyo is like New York, then Kyoto reminds us both of Philadelphia. Its energy is less frenetic, and cutting-edge fashion seems to be less of a priority. However, it is beautiful, especially the eastern part of the city, which ends in a park abutting some major hills. We had a lovely time walking the streets at dusk, and got a chance, ourselves, to sit on a porch overlooking the river before we headed back to our hostel.
Today, we set out right away for Nara, home of a well-known Buddhist Temple, Todaiji. There, in the middle of Nara Park, amidst hundreds of wild deer who gently nudged our hands in search of food, is the largest wooden structure in the world, housing the largest statue of Buddha that I have ever seen. The particular representation is Vairocana Buddha, posed with one hand up, palm out, and one hand on his lap, palm facing upwards. Hundreds of people swarmed the based, lighting nag champa, snapping pictures, buying trinkets and staring in silent meditation. It was an incredible sight.
Tomorrow, a tea ceremony and our last full day here!
At Wesleyan's 2009 commencement, Anna Quindlen reminded graduates of Samuel Beckett's bold proclamation, "To find a form that accommodates the mess, that is the task of the artist now." Instead of tidying the mess, or assuring graduates that things were not as messy as they appeared in the chaos of that May, she simply said,
We leave you a mess. And I won’t apologize for that. Instead I want you to see it for what it is: an engraved invitation to transformation. Certainty is dead. Long live the flying leap.
A long-time fan of Anna Quindlen's, I especially loved that last declarative: long live the flying leap.
And so, here goes my flying leap. As I travel to Japan, back home to run my first math camp for middle-school girls, and then to France, I will be flying in more ways than one.
We leave you a mess. And I won’t apologize for that. Instead I want you to see it for what it is: an engraved invitation to transformation. Certainty is dead. Long live the flying leap.
A long-time fan of Anna Quindlen's, I especially loved that last declarative: long live the flying leap.
And so, here goes my flying leap. As I travel to Japan, back home to run my first math camp for middle-school girls, and then to France, I will be flying in more ways than one.
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